Good Loving Woman
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“I have a close but at the same time uncomfortable relationship with the natural world. I’ve always been most at home in the country probably because I was raised in the country as a boy, and I know something about farming and woodcutting and all the other things that country people know about. That kind of work has been important to me in my personal life and in my writing too. I believe in the values of manual labor and labor that is connected with the earth in some way. But I’m not simply a nature poet. In fact, I consider myself and I consider the whole human race fundamentally alien. By evolving into a state of self-consciousness, we have separated ourselves from the other animals and the plants and from the very earth itself, from the whole universe. So there’s a kind of fear and terror involved in living close to nature. My poems, I think, exist in a state of tension between the love of natural beauty and the fear of natural meaninglessness or absurdity.”